Archers of Loaf

Ages 18 and up
Tuesday, January 10
Doors: 7pm
$25 to $55
91.3 WYEP Presents:
Archers of Loaf

with The Zells

Tuesday, January 10th, 2023

Thunderbird Music Hall
4053 Butler St. Pittsburgh, PA 15201

Doors @ 7pm
Show @ 8pm

AGE RESTRICTION: 18+ FOR GA // 21+ FOR BALCONY LEVELS

www.archersofloaf.net
Singer/guitarist Eric Bachmann, guitarist Eric Johnson, bassist Matt Gentling, and drummer Mark Price formed Archers of Loaf in Chapel Hill, NC, in 1991. Icky Mettle was the first of four studio albums for the band that seemed to personify what SPIN magazine deemed “a tremendously optimistic time in underground music, that 15-minute period in the early 1990s when it looked like indie rock really might take over the world.”

The band never officially broke up. Eric Bachmann had another musical project he was working on (Crooked Fingers), and the grind of the traditional album cycle and touring started to weigh on the Archers’ desire to continue making music together. After a 13-year hiatus, the band performed a secret show in January 2011 at Cat’s Cradle in Carrboro, NC, with The Love Language. The show proved they hadn’t really missed a beat, and so a larger tour was booked in mostly smaller venues to replicate the raw live experience for which the band had always been highly regarded.

www.thezells.bandcamp.com
The band — guitarist trio Frank DiNardo, Jackson Rogers and Phil Kenbok, bassist Roman Benty and drummer Tyler Gallagher — take turns singing about the dejected purgatory of struggling to get out of bed while simultaneously losing the capacity to dream. It’s the sort of downwardly mobile existentialism that could be yelled with a hardcore fury or strummed beneath mawkish folk coos, but The Zells use indie-rock as their medium, flipping a genre that’s historically been a playground for well-off kids to opine about their dorm-room insecurities into a microphone for working-class ennui. 

Ticket Tier Info:
Upper Balcony Tickets - Seated Section with Private Bar, Private Bathroom, and a View. Must be 21+ to purchase (IDs will be checked upon arrival). Sold in packages of 4.
Lower Balcony Tickets - Seated Section with Private Bar and a View. Must be 21+ to purchase (IDs will be checked upon arrival). Sold in pairs of 2.
General Admission Tickets - Standing Room tickets on the Main Floor, closet to the stage

There are no additional protocols at this time. Entry requirements are subject to change. By purchasing tickets to this event you agree to abide by entry requirements in effect at the time of the event. Check the venue website leading up to your event for the latest protocols.Please visit https://thunderbirdmusichall.com/safety/ for more information on Covid-19 Safety. 

The Archers of Loaf were darlings of the indie world in the early to mid-'90s, thanks to an off-kilter sound that was edgy and challenging, yet melodically accessible at the same time. Cornerstones of the Chapel Hill, NC, indie scene that also spawned Superchunk and Polvo, the Archers' chief inspirations were the Replacements and Sonic Youth, but that only began to tell the story. Their music was frequently likened to a more intense, raucous version of Pavement's postmodern pop, and indeed they shared key elements: fractured song constructions, abstractly witty lyrics, clangorous guitars, and lo-fi production. More rooted in punk and noise rock, however, the Archers took the dissonance, white noise, and angularity to greater extremes, and played with more overt commitment and enthusiasm in concert. The Archers became a hip name to drop with their acclaimed 1993 debut, Icky Mettle; several more accomplished albums followed before the group called it quits in 1998. The Archers of Loaf were formed in Chapel Hill in 1991, when all four members were attending the University of North Carolina. Coincidentally, they'd all grown up in Asheville, in the western part of the state, but hadn't all gone to the same schools. Singer/guitarist Eric Bachmann, guitarist Eric Johnson, bassist Matt Gentling, and drummer Mark Price cut an independently released single, "Wrong," that helped them land a contract with the California-based indie label Alias (also home to releases by American Music Club and Yo La Tengo). Another single, "Web in Front," became a substantial hit on college radio in 1993, creating a strong buzz for the group's full-length debut. Icky Mettle arrived later in the year to highly positive reviews and more alternative-radio airplay, and the Archers supported it with an extensive national tour. A five-song concept EP, Archers of Loaf vs the Greatest of All Time, arrived on the heels of Icky Mettle in 1994. Amid growing media attention, Madonna's Maverick label made a play for the band, but they elected to continue developing on an independent, with lower commercial stakes. Their second album, the rawer and noisier Vee Vee, appeared in 1995 and was an even bigger college-radio hit, thanks in part to the single "Harnessed in Slums." The album landed in the CMJ Top Five, and even got some press from the hipper mainstream media outlets. In its wake, Eric Bachmann convened the Chapel Hill side project Barry Black, an eclectic, mostly instrumental outfit given to bizarre arrangements; their eponymous first album was also released in 1995. Meanwhile, the Archers compiled a raft of non-LP indie singles, B-sides, alternate takes, and live cuts for 1996's The Speed of Cattle. Their proper third album, All the Nation's Airports, came out later that year and showed the band moving into quieter, more layered territory. Bachmann's second album with Barry Black, Tragic Animal Stories, arrived in 1997, as did the live Archers of Loaf EP Vitus Tinnitus. The band's fourth proper album, 1998's White Trash Heroes, continued its exploration of calmer, more spacious sounds, and began to incorporate keyboards and samples. However, their marathon touring commitments were contributing to a sense of stagnation within the group. After the supporting tour for Heroes, the Archers decided to call it quits. A live album recorded at that tour's Chapel Hill show, Seconds Before the Accident, was released posthumously in 2000. Bachmann moved on to the folkier Crooked Fingers, which issued the first of several albums in 2000 as well. ~ Steve Huey, All Music Guide