Sir Chloe

I am the Dog is a record of exquisite contrast: fast, feverish, and dreamy all at once.
I am the Dog is invested in constructing exquisite and impossible tensions, interrogatory and profound.

Dana Foote put Sir Chloe together in college to serve as her senior thesis. She wrote “Michelle,” and “Animal,” songs that would become the band’s rst major hits a few years later, on the oor of her college dorm. The band recorded the songs in the early hours of the morning, the only time their school’s studio was available. The rest of Sir Chloe’s EP Party Favors was recorded in a warehouse that the band transformed into a decent recording space with just $100 dollars and sheer will. This labor of love soon transformed into something colossal. Due to the success of the EP, Sir Chloe would go on to tour with Portugal. the Man and alt-J, open for the Pixies, and headline two tours in the United States and Europe.

When Sir Chloe wasn’t touring, Foote worked with Grammy award-winning producer John Congelton to make what would become Sir Chloe’s debut album: I am the Dog. She wrote with pop powerhouse Teddy Geiger and Sarah Tudzin, from illuminati hotties. Collaborating with a team supported and challenged Foote, and the resulting work is a more stylistically dynamic and mature song cycle. I am the Dog is a record that grapples with nding control in the entropic chaos that is nature, that is life: “The violence of the natural world is pretty constant throughout the record,” says Foote, “It’s about trying to nd control within that violence.” It’s a record invested in constructing exquisite and impossible tensions, toying with opposition, resolving it, and then destabilizing any comfortable resolution once again. Foote is not as invested in being at rest so much as she’s interested in interrogating why she cannot be.