Langhorne Slim and John Craigie

Ages 21 and up
Friday, April 21
Doors: 7pm
LANGHORNE SLIM & JOHN CRAIGIE

Friday, April 21st, 2023

Thunderbird Music Hall
4053 Butler St. Pittsburgh, PA 15201

Doors @ 7pm
Show @ 8pm

Age Restriction: 21+

Nashville and Portland troubadours Langhorne Slim and John Craigie are coming together for 10 intimate solo shows. Joining forces for the first time on tour since sharing the stage at the Newport Folk Festival, the duo will be stripping down to the essence of what they do best – sharing a personal musical experience with audiences. Join Slim and Craigie as they pair their one-of-a-kind songwriting abilities for a slew of unequaled shows.

https://langhorneslimmusic.com/
Born Sean Scolnick in 1980, Slim took part of his artistic moniker from his hometown of Langhorne, Pennsylvania, a place he’s still very much connected to despite making his home in Nashville. Since the advent of Covid-19, he has been traveling back to PA once a month to see his mother and grandmother, and, like many Americans, finding strength in his origins and family bonds. The title Strawberry Mansionrefers to the neighborhood in Philadelphia where both of his grandfathers grew up, a place he calls “dirty but sweet, tough but full of love, where giants roamed the earth and had names like Whistle and Curly.” That idea of a mythical wonderland informs the new album from head to toe. Strawberry Mansionis not so much about nostalgia for the past as it is about the possibility of better days ahead in this world. These are songs that remind us we’re all part of a collective “Mighty Soul,” united in one journey, just like the characters in that old Philly neighborhood. It’s a life-affirming album for these times.

www.johncraigiemusic.com
Portland, OR-based singer, songwriter, and producer John Craigie adapts moments of solitude into stories perfectly suited for old Americana fiction anthologies. Instead of leaving them on dog-eared pages, he projects them widescreen in flashes of simmering soul and folk eloquence. On his 2022 full-length album, Mermaid Salt, we witness revenge unfurled in flames, watch a landlocked mermaid’s escape, and fall asleep under a meteor shower. 

This is a *limited seating event*
Ticket Tier Info:
Upper Balcony Tickets – Seated Section with Private Bar, Private Bathroom, and a View. Sold in packages of 4.  (SOLD OUT)
Lower Balcony Tickets – Seated Section with Private Bar and a View. Sold in pairs of 2. (SOLD OUT)
Floor Seat Tickets: Seated Section on the Main Floor, closest to the stage. Seats are assigned on a first-come first-served basis.
General Admission Tickets – Standing Room tickets on the Main Floor, behind Floor Seats. 

There are no additional entry protocols at this time. Entry requirements are subject to change. By purchasing tickets to this event you agree to abide by entry requirements in effect at the time of the event. Check the venue website leading up to your event for the latest protocols. Please visit https://thunderbirdmusichall.com/safety/ for more information on Covid-19 Safety. 

As the phenomena of instant connection and the need for constant self-improvement further implant their tendrils into our culture, the ability to truly connect with each other and ourselves has begun to fade. As we all reach for our smartphones to gaze upon the manufactured perfection of the lives of those we admire, we lose sight of what makes our own lives important. Nashville's Langhorne Slim interlaces this theme throughout his new album. "Everyone's searchin' for something better around every corner, but it's already right here," Langhorne says. "We're all born whole -- through livin' we fall apart..." The songs on Langhorne Slim's newest album, Lost At Last Vol. 1, out November 10, 2017, challenge the idea of social rigidity: the attitude that there's a "correct" way for us to live and a side we should be on. He urges the world to see through the idea that by following that path and focusing only on fitting the mold, one will have lived a good life. He re-interprets the sound of the free-spirited yet vulnerable everyman heard on 2015's The Spirit Moves and brings forth anew the call for us to abandon "the fold" and re-connect with ourselves and each other. Langhorne Slim is no stranger to the world of popular culture and commercial success. Lost At Last Vol. 1 is his sixth full-length album; throughout his career he has been defined by reflective songwriting and passionate delivery. Slim's last album cycle alone garnered him his third appearance on Conan O'Brien's late-night show, as well as a feature on CBS Saturday Morning, and the highest charting debut of his career. O'Brien, a personal fan of Slim stated, "After one listen, I became an instant, almost obsessive fan." Slim has consistently toured on his own, and has appeared on extensive worldwide runs throughout his career with artists such as The Lumineers, The Avett Brothers, Grace Potter & The Nocturnals, Gregory Alan Isakov, Josh Ritter, The Devil Makes Three, Sara Watkins, and more. He's also appeared on many festival stages, such as Bonnaroo, Newport Folk Festival, Outside Lands, Lollapalooza, and the Philadelphia Folk Festival. Lost At Last Vol. 1 is a record that Langhorne wanted to do differently from the start. "Almost immediately after recording our last record, The Spirit Moves," Slim says, "I felt a deep desire to make another album. One that would take a step sideways in order to take a step forward; one that would be very personal and raw...in the making of this record, I made a deal with myself to trust my own voice and vision more than I ever have before, and to go willingly wherever it led." The title alone reflects his need to pen a great wealth of songs, as if the thoughts and inspiration took on a life of their own and just needed to come out. Recorded over the span of around six months in New Orleans, Los Angeles, and Catskill, NY, and clocking in at about 34 minutes, it's a short but intense listening experience. Several songs are under two or three minutes long, but they pack vivid imagery into concise packages in a way that shows a significant diversion from the songwriting on his previous records. Slim keeps his record-making in the family with this release; longtime band member Malachi DeLorenzo co-produced the record along with Kenny Siegal, and DeLorenzo also mixed several tracks in addition to playing drums on the record. Slim reflects truths that we may or may not want to admit; in "Life is Confusing," he muses that "life is confusing, and people are insane." He stands resolute in the face of trial: ."..you could break my heart, but you'll never break me," he sings on "Never Break." He calls upon the listener during this time fraught with challenges to unplug from the trajectory our culture has deemed is "right" and find strength in our own vulnerability, in our own instincts. "We look to our phones, drugs, sex whatever to find ourselves when it's already right here," Slim says. These songs join in the rallying call for the wild ones in us all.
John Craigie (born June 15, 1980) is an American singer-songwriter. Hailed as a "Modern-Day Troubadour" in the style of Woody Guthrie and Ramblin' Jack Elliott, Craigie has been traveling continuously for most of the past decade throughout the United States, Canada and Europe. His music and performance style has been compared to John Prine, and Mitch Hedberg, with influences of Pete Seeger, and Arlo Guthrie. He has performed with or opened for Todd Snider, Paul Thorn, Jack Johnson, James McMurtry, Shawn Colvin, Sean Hayes, Nicki Bluhm, Aoife O'Donovan, ALO, Shook Twins, and Trampled by Turtles and sold out shows in NYC, Boston, San Francisco, Denver, Portland, Seattle, and more. He has received airplay on many radio stations including KPIG, KHUM, KGNU, KBCS, KRFC, WUMB, WUIN, KFAI, and KVXQ, as well as The Coffeehouse station on Sirius XM Radio.